Jump to a review by selecting a manufacturer and a model.
Or just select a manufacturer to see reviews of all of their cameras.
Step 1 MANUFACTURER
Select a manufacturer
Step 2 CAMERA MODEL
Select a camera model
Step 3 SEARCH CAMERAS
Search the database


You know how much you want to spend on your next camera, so tell us and we'll show you the options.
Select a price range and a type of camera and hit Search.
Step 1 PRICE RANGE
Select your price range
Step 2 CAMERA TYPE
Select a camera type
Step 3 SEARCH CAMERAS
Search the database
home | about | glossary | faqs | reviewers | podcasts | rss | forum | contact | advertise | suggest
Compare
Compare up to four cameras by clicking on the icons next to them. They will be stored up here.
Compare

Compare

The camera has been added to the comparisons bar at the top of the page
Don't show this message again
Camera Search

Featured Technique

Return to techniques archive »  

Take this shot: Lightning

by Debbi Allen on 26th October 2009

Ever noticed that you rarely see photos of lightning taken during daytime hours? There’s a very good reason for that – it’s virtually impossible to achieve. The speed and unpredictability of lightning means than you can only ever hope to get a shot by leaving the shutter open for an extended period. Only at night will the scene be dark enough to get away with this without too much light hitting our sensor.
There’s no easy way to shoot lightning, but there are some tried and tested techniques that should improve your chances of getting a shot. Firstly, use a tripod to keep a steady shot. Then set your aperture to f8, your ISO to 100 and your focus at infinity, with the autofocus off. If your camera has the ability to keep its shutter open indefinitely, select this setting, otherwise simply select the longest shutter speed you can. With the camera pointed in the direction of where the most lightning hits are occurring, your best chance to capture it is by holding the shutter open for a prolonged period to cover one or more lightning strikes.
Safety is paramount so never stand within five miles of the epicentre. Your tripod could conceivably act as a lightning rod so dress appropriately and stay near your car. In fact, why not shoot remotely from your car as a precaution?


The darker the better
You can only get away with shooting such a long exposure at night, so the darker the surroundings the better. You’ll have more luck away from the glare of a town or city.

Silhouettes
Your lightning photography will have more impact if there are objects in the frame to be lit up by the strike. In this image the tree-lined lake delivers silhouettes and a reflective surface to add more visual interest.

Keep it sharp
A decent lightning picture is impossible to achieve hand-held, so you will need a tripod in order to keep your photograph razor sharp. The more clarity the lightning bolts have, the better.

The sky’s the limit
The quality of your lightning picture will, to a large extent, be determined by the sky itself. Sometimes clouds will obscure the bolts so all you get to see is a general flash of light. There’s little you can do about this but you may need multiple attempts to get it right.

Page 1 of 1 1

Return to techniques archive »

SHARE THIS ARTICLE

Reviewer Profile



Debbi Allen

Debbi’s passionate about all things photographic: from the latest digital kit to the greatest techniques to capture a scene. She’s been at the helm of the photography portfolio of magazines, websites and more for three years.

Total Camera Reviews 49
Average Camera Rating 4.1
Debbi's Last 5 Reviews
Canon PowerShot D10 5 / 5
Sony a450 0 / 5
Sony Alpha 500 4 / 5
Samsung GX-20 4 / 5
Pentax Optio W60 4 / 5
Click here to view Debbi's profile »
Digital Photographer Latest Uploaded Photos
Click an image below to view or Click here for the Digital Photographer website.
Join The Community
London by Steve Jeffery emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine Perfect Day  by Sacha Bloor emilie layla lovaine by emilie layla lovaine Turquoise Waters  by Sacha Bloor emilie layla lovaine by emilie layla lovaine Milky Waves  by Sacha Bloor emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine emilie layla lovaine by emilie layla lovaine first light by William P Allom emilie layla lovaine by emilie layla lovaine Liz by Marc Wainwright upright by Simon Price neckline by Simon Price Looking Out  by Sacha Bloor Clear Blue Waters  by Sacha Bloor Untitled by Elena Gillespie Waterfall in Autumn by Simon Bull Morning Light by Ignacio Feliciano Sky by David Pamphilon Caerphilly Castle by Paul Primus The X Factor by Sylwia Domaradzka decay by William P Allom Graffiti by Dave Heather Kanguro by Rafael Onofre 1934 Chevy Pickup Streetrod by Ken  Morris 1934 Chevy Pickup Streetrod by Ken  Morris The landing (please view large for whole image,thanks) by Cheryl Mundur 1934 Chevy Pickup Streetrod by Ken  Morris
Digital Photographer Gallery Stats: 117,076 user images, 9,246 profiles | Imagine Gallery Network: 191,554 user images, 34,862 profiles